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LOT 1341:
MONUMENTALE UND FEINE IKONE MIT DER AUFERSTEHUNG UND HÖLLENFAHRT CHRISTI
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Sold for: €7,000
Start price:
€
6,500
Buyer's Premium: 28%
VAT: 17% On commission only
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MONUMENTALE UND FEINE IKONE MIT DER AUFERSTEHUNG UND HÖLLENFAHRT CHRISTI
Origin: Russland, 17. Jh.
Technique: Holztafel mit zwei profilierten Rückseiten-Sponki. Kowtscheg, Eitempera auf Kreidegrund, partielle Vergoldung
Dimension: 88,5 x 68,8 cm
A FINELY PAINTED AND MONUMENTAL ICON SHIOWING THE RESURRECTION OF CHRIST AND THE DESCENT INTO HELL Russland, 17. Jh. Russian, 17th century Holztafel mit zwei profilierten Rückseiten-Sponki. Kowtscheg, Eitempera auf Kreidegrund, Egg tempera on wood panel with kovcheg. The figure of Christ is represented against a green mandorla with rays. He tramples on the broken doors of Hades and raises Adam. In the foreground, Eve is kneeling in supplication as she steps out of the open mouth of the monster that personifies Hell. The crowd behind represents the Just people of the Old Testament, who were also raised by Christ during the Anastasis. The upper register showing in the center Christ against a mandorla who rises from the tomb. The icon is finely painted. Church Slavonic inscriptions on the border. The composition is executed in great detail. The soft modelling of the flesh is complemented by delicately rendered features. Vertical crack, minor areas of retouching. 88.5 x 68.8 cm.
A FINELY PAINTED AND MONUMENTAL ICON SHIOWING THE RESURRECTION OF CHRIST AND THE DESCENT INTO HELL Russland, 17. Jh. Russian, 17th century Holztafel mit zwei profilierten Rückseiten-Sponki. Kowtscheg, Eitempera auf Kreidegrund, Egg tempera on wood panel with kovcheg. The figure of Christ is represented against a green mandorla with rays. He tramples on the broken doors of Hades and raises Adam. In the foreground, Eve is kneeling in supplication as she steps out of the open mouth of the monster that personifies Hell. The crowd behind represents the Just people of the Old Testament, who were also raised by Christ during the Anastasis. The upper register showing in the center Christ against a mandorla who rises from the tomb. The icon is finely painted. Church Slavonic inscriptions on the border. The composition is executed in great detail. The soft modelling of the flesh is complemented by delicately rendered features. Vertical crack, minor areas of retouching. 88.5 x 68.8 cm.
