Very rare Imari XXXL plate, Japan, Meiji period (1868-1912), 2nd half of the 19th century, unique, huge porcelain ...

Very rare Imari XXXL plate, Japan, Meiji period (1868-1912), 2nd half of the 19th century, unique, huge porcelain plate with polychrome overglaze and underglaze painting as well as enamel and gold colours, the rim decorated with magnificent alternating flower heads, in the centre a mighty panorama spreads out in the style of Chinese landscape painting (sansuiga), as it was also cultivated in Meiji period Japan as bunjinga: Scholars sit in pavilions in contemplation of the landscape, a gentleman strides with his servant along the arched bridge, drastically moving ocean waves brush against the towering mountain massifs marked by strong dragon veins(longmai), which reach organically moving into the distance behind golden clouds, partially retouched(presumably during the production process), reverse with cobalt blue ornaments, H 12cm, D 78cm

Sehr seltener Imari-Teller XXXL, Japan, Meiji-Periode(1868-1912), 2. Hälfte 19. Jh., einzigartiger, riesiger Porzellan-Teller mit polychromer Auf- und Unterglasurmalerei sowie Emaille- und Goldfarben, Rand mit prächtigen alternierenden Blütenköpfen geziert, im Zentrum breitet sich ein mächtiges Panorama im Stil der chinesischen Landschaftsmalerei(sansuiga) aus, wie sie auch im Japan der Meiji-Periode als bunjinga gepflegt wurde: Gelehrte sitzen in kontemplativer Betrachtung der Landschaft in Pavillons, ein Herr schreitet mit seinem Diener entlang der Bogenbrücke, drastisch bewegtge Meereswellen streifen die durch starke Drachenadern(longmai) geprägtern, aufgetürmten Gebirgsmassive, die organisch bewegt bis in die hinter goldenen Wolken liegende Ferne reichen, partiell retuschiert(vermutlich während des Herstellungsprozesses), Rückseite mit kobaltblauen Zierornamenten, H 12cm, D 78cm

Very rare Imari XXXL plate, Japan, Meiji period (1868-1912), 2nd half of the 19th century, unique, huge porcelain plate with polychrome overglaze and underglaze painting as well as enamel and gold colours, the rim decorated with magnificent alternating flower heads, in the centre a mighty panorama spreads out in the style of Chinese landscape painting (sansuiga), as it was also cultivated in Meiji period Japan as bunjinga: Scholars sit in pavilions in contemplation of the landscape, a gentleman strides with his servant along the arched bridge, drastically moving ocean waves brush against the towering mountain massifs marked by strong dragon veins(longmai), which reach organically moving into the distance behind golden clouds, partially retouched(presumably during the production process), reverse with cobalt blue ornaments, H 12cm, D 78cm